A Week in Chiang Mai, Thailand

A week ago, we went to the silk farm in Chiang Mai, Thailand to learn more about the process of silk making or also known as sericulture and silk weaving. It was an eye opening experience as we get to see so many live silk worms crawling around spinning cocoons. We've purchased a few silk scarves hand-woven by the ladies from the pictures above. Check out our shop to see what we've got :) 

Here is a little introduction about silk and it's history. *thanks google ;)*

Silk has set the standard in luxury fabrics for several millennia. The origins of silk date back to Ancient China. Legend has it that a Chinese princess was sipping tea in her garden when a cocoon fell into her cup, and the hot tea loosened the long strand of silk. Ancient literature, however, attributes the popularization of silk to the Chinese Empress Si-Ling, to around 2600 B.C. Called the Goddess of the Silkworm, Si-Ling apparently raised silkworms and designed a loom for making silk fabrics.

The Chinese used silk fabrics for arts and decorations as well as for clothing. Silk became an integral part of the Chinese economy and an important means of exchange for trading with neighbouring countries. Caravans traded the prized silk fabrics along the famed Silk Road into the Near East. By the fourth century B.C. , Alexander the Great is said to have introduced silk to Europe. The popularity of silk was influenced by Christian prelates who donned the rich fabrics and adorned their altars with them. Gradually the nobility began to have their own clothing fashioned from silk fabrics as well.

Initially, the Chinese were highly protective of their secret to making silk. Indeed, the reigning powers decreed death by torture to anyone who divulged the secret of the silk-worm. Eventually, the mystery of the silk-making process was smuggled into neighbouring regions, reaching Japan about A.D. 300 and India around A.D. 400. By the eighth century, Spain began producing silk, and 400 years later Italy became quite successful at making silk, with several towns giving their names to particular types of silk.

Silk is highly valued because it possesses many excellent properties. Not only does it look lustrous and feel luxurious, but it is also lightweight, resilient, and extremely strong—one filament of silk is stronger then a comparable filament of steel! Although fabric manufacturers have created less costly alternatives to silk, such as nylon and polyester, silk is still in a class by itself. 


The secret to silk production is the tiny creature known as the silkworm, which is the caterpillar of the silk moth Bombyx mori. It feeds solely on the leaves of mulberry trees. 

The life cycle of the Bombyx mori begins with eggs laid by the adult moth. The larvae emerge from the eggs and feed on mulberry leaves. In the larval stage, the Bombyx is the caterpillar known as the silkworm. The silkworm spins a protective cocoon around itself so it can safely transform into a chrysalis. In nature, the chrysalis breaks through the cocoon and emerges as a moth. The moths mate and the female lays 300 to 400 eggs. A few days after emerging from the cocoon, the moths die and the life cycle continues.

Generally, one cocoon produces between 1,000 and 2,000 feet of silk filament, made essentially of two elements. The fiber, called fibroin, makes up between 75 and 90%, and sericin, the gum secreted by the caterpillar to glue the fiber into a cocoon, comprises about 10-25% of silk. Other elements include fats, salts, and wax. To make one yard of silk material, about 3,000 cocoons are used.
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Sericulture - The cultivation of silkworms for the purpose of producing silk.

Breeding silkworms

• Only the healthiest moths are used for breeding. Their eggs are categorized, graded, and meticulously tested for infection. Unhealthy eggs are burned. The healthiest eggs may be placed in cold storage until they are ready to be hatched. Once the eggs are incubated, they usually hatch within seven days. They emerge at a mere one-eighth of an inch (3.2 mm) long and must be maintained in a carefully controlled environment. 
  Under normal conditions, the eggs would hatch once a year in the spring when mulberry trees begin to leaf. But with the intervention of sericulturists, breeding can occur as many as three times per year.

Feeding the larva

• The silkworms feed only on the leaves of the mulberry tree. The mulberry leaves are finely chopped and fed to the voracious silkworms every few hours for 20 to 35 days. During this period the wormns increase in size to about 3.5 inches (8.9 cm). They also shed their skin, or molt, four times and change color from gray to a translucent pinkish color.

Spinning the cocoon

• When the silkworm starts to fidget and toss its head back and forth, it is preparing to spin its cocoon. The caterpillar attaches itself to either a twig or rack for support. As the worm twists its head, it spins a double strand of fiber in a figure-eight pattern and constructs a symmetrical wall around itself. The filament is secreted from each of two glands called the spinneret located under the jaws of the silkworm. The insoluble protein-like fiber is called fibroin.
• The fibroin is held together by sericin, a soluble gum secreted by the worm, which hardens as soon as it is exposed to air. The result is the raw silk fiber, called the bave. The caterpillar spins a cocoon encasing itself completely. It can then safely transform into the chrysalis, which is the pupa stage.

Stoving the chrysalis

• The natural course would be for the chrysalis to break through the protective cocoon and emerge as a moth. However, sericulturists must destroy the chrysalis so that it does not break the silk filament. This is done by stoving, or stifling, the chrysalis with heat.

The Filature Sorting and softening the cocoons

• The filature is the factory in which the cocoons are processed into silk thread. In the filature the cocoons are sorted by various characteristics, including color and size, so that the finished product can be of uniform quality. The cocoons must then be soaked in hot water to loosen the sericin. Although the silk is about 20% sericin, only 1% is removed at this stage. This way the gum facilitates the following stage in which the filaments are combined to form silk thread, or yarn.

Reeling the filament

• Reeling may be achieved manually or automatically. The cocoon is brushed to locate the end of the fiber. It is threaded through a porcelain eyelet, and the fiber is reeled onto a wheel. Meanwhile, diligent operators check for flaws in the filaments as they are being reeled.
• As each filament is nearly finished being reeled, a new fiber is twisted onto it, thereby forming one long, continuous thread. Sericin contributes to the adhesion of the fibers to each other.

Packaging the skeins

• The end product, the raw silk filaments, are reeled into skeins. These skeins are packaged into bundles weighing 5-10 pounds (2-4 kg), called books. The books are further packaged into bales of 133 pounds (60 kg) and transported to manufacturing centres.

Forming silk yarn

• Silk thread, also called yarn, is formed by throwing, or twisting, the reeled silk. First the skeins of raw silk are categorized by color, size, and quantity. Next they are soaked in warm water mixed with oil or soap to soften the sericin. The silk is then dried.
• As the silk filaments are reeled onto bobbins, they are twisted in a particular manner to achieve a certain texture of yarn. For instance, "singles" consist of several filaments which are twisted together in one direction. They are turned tightly for sheer fabrics and loosely for thicker fabrics. Combinations of singles and untwisted fibers may be twisted together in certain patterns to achieve desired textures of fabrics such as crepe de chine, voile, or tram. Fibers may also be manufactured in different patterns for use in the nap of fabrics, for the outside, or for the inside of the fabric.
• The silk yarn is put through rollers to make the width more uniform. The yarn is inspected, weighed, and packaged. Finally, the yarn is shipped to fabric manufacturers.

Degumming thrown yarn

• To achieve the distinctive softness and shine of silk, the remaining sericin must be removed from the yarn by soaking it in warm soapy water. Degumming decreases the weight of the yarn by as much as 25%.

Finishing silk fabrics

• After degumming, the silk yarn is a creamy white color. It may next be dyed as yarn, or after the yarn has been woven into fabric. The silk industry makes a distinction between pure-dye silk and what is called weighted silk. In the pure-dye process, the silk is colored with dye, and may be finished with water-soluble substances such as starch, glue, sugar, or gelatin. To produce weighted silk, metallic substances are added to the fabric during the dying process. This is done to increase the weight lost during degumming and to add body to the fabric. If weighting is not executed properly, it can decrease the longevity of the fabric, so pure-dye silk is considered the superior product. After dyeing, silk fabric may be finished by additional processes, such as bleaching, embossing, steaming, or stiffening.

Adapted from : MadeHow.com